{"id":3342,"date":"2024-02-01T21:18:19","date_gmt":"2024-02-02T02:18:19","guid":{"rendered":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/?page_id=3342"},"modified":"2026-03-13T11:01:05","modified_gmt":"2026-03-13T16:01:05","slug":"inicio-2-2-2","status":"publish","type":"page","link":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/no-8-octubre-2023\/","title":{"rendered":"No. 8 \u2013 Octubre 2023"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2aa49d08 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<div class=\"wp-block-tainacan-dynamic-items-list\" data-module=\"dynamic-items-list\" data-search-url=\"\" data-selected-items=\"[&quot;3193&quot;]\" data-collection-id=\"2252\" data-show-image=\"true\" data-show-name=\"true\" data-show-search-bar=\"false\" data-show-collection-header=\"false\" data-show-collection-label=\"false\" data-image-size=\"large\" data-layout=\"grid\" data-load-strategy=\"selection\" data-mosaic-height=\"280\" data-mosaic-density=\"5\" data-mosaic-grid-rows=\"3\" data-mosaic-grid-columns=\"3\" data-mosaic-item-focal-point-x=\"0.5\" data-mosaic-item-focal-point-y=\"0.5\" data-max-columns-count=\"1\" data-collection-background-color=\"#454647\" data-collection-text-color=\"#ffffff\" data-grid-margin=\"0\" data-max-items-number=\"12\" data-order=\"\" data-order-by=\"date\" data-order-by-meta-key=\"\" data-tainacan-api-root=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-json\/tainacan\/v2\" id=\"wp-block-tainacan-dynamic-items-list_09e6380b-5e47-4980-b84c-6beb1a01a727\"><div><\/div><\/div>\n\n\n\n<div class=\"wp-block-buttons alignwide is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.uartes.edu.ec\/sitio\/?wpdmdl=50413\">Descarga el n\u00famero completo<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Procedimientos esc\u00e9nicos para la investigaci\u00f3n-creaci\u00f3n en escena y por fuera de ella<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Pr\u00f3logo<\/h4>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/articulos\/voltear-al-obrar-que-sostiene-toda-obra\/\">Voltear al obrar que sostiene toda obra<\/a><br>Bertha D\u00edaz<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Art\u00edculos<\/h4>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/articulos\/amor-por-los-hechos-notas-y-divagaciones-entre-el-arte-y-el-gesto-reparador\/\">Amor por los hechos: notas y divagaciones entre el arte y el gesto reparador<\/a><br>Carolina Castanho<\/p>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/articulos\/la-vraie-vie-diario-de-trabajo-y-anotaciones-pedagogicas-al-margen\/\">La vraie vie? Diario de trabajo y anotaciones pedag\u00f3gicas al margen<\/a><br>Pamela Jij\u00f3n<\/p>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/articulos\/justicia-poetica-una-aproximacion\/\">Justicia po\u00e9tica. Una aproximaci\u00f3n<\/a><br>Rub\u00e9n Ortiz<\/p>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/articulos\/lenguaje-ordinario-modos-teoricos-y-lectura-como-interlengua-los-saberes-oblicuos-de-las-praxis-escenicas-de-buenos-aires\/\">Lenguaje ordinario, modos te\u00f3ricos y lectura como interlengua: los saberes oblicuos de las praxis esc\u00e9nicas de Buenos Aires<\/a><br>Carla Pessolano<\/p>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/articulos\/cuando-tu-propio-cuerpo-desapropiado-se-aloja-en-palabras-indisciplinadas-y-viceversa\/\">Cuando tu propio cuerpo (des)apropiado se aloja en palabras indisciplinadas y viceversa<\/a><br>Adriana Urrea<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2aa49d08 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Texturas<\/h4>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/texturas\/mirar-con-la-planta-de-los-pies\/\">Mirar con la planta de los pies<\/a><br>Marta Mar\u00eda Borras<\/p>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/texturas\/excribir-ensayos-para-trazar-los-caminos-de-otros\/\">Excribir: ensayos para trazar los caminos de otros<\/a><br>Catalina Cano<\/p>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/texturas\/la-lengua\/\">La lengua<\/a><br>Sara Id\u00e1rraga Hamid<\/p>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/texturas\/guion-intervenido-de-la-charla-performatica-bestia\/\">Guion intervenido de la charla perform\u00e1tica BESTIA<\/a><br>Mar\u00eda Peredo y Tamia Guayasam\u00edn<\/p>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/texturas\/archivo-de-partitura-expandida-lo-organico-de-la-investigacion-creacion-desde-la-experimentacion-vocal\/\">Archivo de Partitura Expandida. Lo org\u00e1nico de la investigaci\u00f3n creaci\u00f3n desde la experimentaci\u00f3n vocal<\/a><br>Beatriz Sterling<\/p>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/texturas\/guion-para-la-conferencia-performatica-lo-que-hacemos-cuando-no-hacemos-teatro\/\">Guion para la conferencia perform\u00e1tica \u00abLo que hacemos cuando no hacemos teatro\u00bb<\/a><br>Colectivo Mit\u00f3mana<\/p>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/texturas\/bitacora-no-cronologica-de-un-cuerpo-que-vive-un-estado-de-encierro-pandemico-vive-sus-dias-por-momentos\/\">Bit\u00e1cora no cronol\u00f3gica de un cuerpo que vive un estado de encierro pand\u00e9mico<\/a><br>Lorena Toro<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Contrapunteos<\/h4>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/contrapunteos\/procedimientos-ecosomaticos-en-la-investigacion-creacion-escenica\/\">Procedimientos ecosom\u00e1ticos en la investigaci\u00f3n-creaci\u00f3n esc\u00e9nica<\/a><br>Contrapunteo entre Sof\u00eda Mej\u00eda (Universidad de Bogot\u00e1),<br>David Guti\u00e9rrez (UNAM-Morelia) y Vanessa P\u00e9rez (UArtes)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Entrevistas<\/h4>\n\n\n\n<p><a href=\"https:\/\/ilia.uartes.edu.ec\/f-ilia\/entrevistas\/entrevista-a-jose-antonio-sanchez-no-se-trata-de-construir-mundos-paralelos-sino-de-plantear-otros-modos-de-organizacion-de-la-realidad-que-son-posibles\/\">Entrevista a Jos\u00e9 Antonio S\u00e1nchez: \u00abNo se trata de construir mundos paralelos, sino de plantear otros modos de organizaci\u00f3n de la realidad que son posibles\u00bb<\/a><br>Bertha D\u00edaz<\/p>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-post-views-counter-post-views\"><div class=\"post-views content-post post-3342 entry-meta load-static\">\r\n\t\t\t\t<span class=\"post-views-icon dashicons dashicons-chart-bar\"><\/span> <span class=\"post-views-label\">Vistas:<\/span> <span class=\"post-views-count\">9<\/span>\r\n\t\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Decidimos ampliar un poco m\u00e1s el eje curatorial de aquel evento para este eje editorial. Fue as\u00ed que se aterriz\u00f3 al t\u00edtulo: \u00abProcedimientos esc\u00e9nicos para la investigaci\u00f3n-creaci\u00f3n en escena y por fuera de ella\u00bb.<\/p>\n","protected":false},"author":1,"featured_media":3177,"parent":0,"menu_order":7,"comment_status":"open","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"class_list":["post-3342","page","type-page","status-publish","has-post-thumbnail","hentry"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"uagb_featured_image_src":{"full":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1.jpg",1280,1819,false],"thumbnail":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1-150x150.jpg",150,150,true],"medium":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1-211x300.jpg",211,300,true],"medium_large":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1-768x1091.jpg",768,1091,true],"large":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1-721x1024.jpg",721,1024,true],"1536x1536":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1-1081x1536.jpg",1081,1536,true],"2048x2048":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1.jpg",1280,1819,false],"trp-custom-language-flag":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1.jpg",8,12,false],"tainacan-small":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1-40x40.jpg",40,40,true],"tainacan-medium":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1-275x275.jpg",275,275,true],"tainacan-medium-full":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1-205x291.jpg",205,291,true],"tainacan-large-full":["https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-content\/uploads\/sites\/28\/2024\/02\/F-ILIA-8-completa-1-480x682.jpg",480,682,true]},"uagb_author_info":{"display_name":"Universidad de las Artes","author_link":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/author\/dircomadm\/"},"uagb_comment_info":0,"uagb_excerpt":"Decidimos ampliar un poco m\u00e1s el eje curatorial de aquel evento para este eje editorial. Fue as\u00ed que se aterriz\u00f3 al t\u00edtulo: \u00abProcedimientos esc\u00e9nicos para la investigaci\u00f3n-creaci\u00f3n en escena y por fuera de ella\u00bb.","distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"Revista F-ILIA - Investigaci\u00f3n, Arte y Memoria","distributor_original_site_url":"https:\/\/ilia.uartes.edu.ec\/f-ilia","push-errors":false,"_links":{"self":[{"href":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-json\/wp\/v2\/pages\/3342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-json\/wp\/v2\/comments?post=3342"}],"version-history":[{"count":6,"href":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-json\/wp\/v2\/pages\/3342\/revisions"}],"predecessor-version":[{"id":5437,"href":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-json\/wp\/v2\/pages\/3342\/revisions\/5437"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-json\/wp\/v2\/media\/3177"}],"wp:attachment":[{"href":"https:\/\/ilia.uartes.edu.ec\/f-ilia\/wp-json\/wp\/v2\/media?parent=3342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}